I make lists of all the things I want and then figure my budget for the month to make those things happen, or appear. It's all maths. Everything. Each month is equally exciting with its own anticipation. My apartment is littered with half-full, or half-empty notebooks scrawled with my haphazard interests, ideas, and ciphers and dated accordingly very neatly in the top right corner of each page. They peer at me accusingly while I type away on a non-existent novel I believe I'm writing. A bildungsroman. I have nothing to prove but an urgency to do something great is constantly stirring in my underfed belly. A plume of smoke rises and darts and then disappears into the air above my frizzled hair from an exotic cigarillo my girlfriend gifted me for my seemingly forever-looming 30th birthday. It came and went very insignificantly. Unlike the expectations I had for it. I assumed an epiphany would plop into my lap and i'd venture onto a life-adjusting journey where I'd find validity and that fulfillment others shout about when I'm near. Those lurking in the wing with twinkling eyes and flashy wrist watches that they glance at while they babble with the other blithe folk. You know them. Their shoes are shinier than yours and shirts less wrinkled. Their path is righteous. My path, so far, has been unstable and at times it has branched out into smaller paths, in turn leading to a path that will return me to my original path. It's all paths. One amazing circle where small feats are rewarded with a pat on a stooped shoulder. Friendly but ashamed. Yes, my shoes are scuffed and my twills are rumpled, maybe stained, but I've got hope for myself and my heart burns with love. The velocity at which the fire falls from the sky and scorches us does not concern me to any degree. I'm more concerned with minutes, maybe even seconds. How many seconds do I put into a thought thats actually worth a single breath? How many seconds does it take to build a purposeful life? To construct it from nothing. We're measured in seconds it seems. A mere joke of a military career was mine to hold and cherish. A flash of a college life. A blink of existence sliced like an apple and handed over to me all too willingly. My fingers tapped and my glasses held fast to the tip of my aquiline nose as I saw both clear and blurry editions of my manuscript. Eleanore, my girl, refuses to read it. She is not apt to giving positive criticism and she knows I am rather weak and sensitive when it comes to the subject of literature. She is by no means armed and ripe with ruthless adverbs used only to deteriorate my words. She is just not quite so passionate as i for the written declarations I speak of. Books, stacked ceiling high from the floor, surround me like a barricade waiting to flutter open and glance off my brain, or penetrate it. To be of some use. Poor artwork adorns my four walls, cock-eyed and frameless. God bless the soul of Eleanore, but the purple walls she has imprisoned me in shall be her last flourish of color here. Her move-in has been at a pace which appeases us both. Gradual as an ascending sun. If a sun took three years to rise. An axiom we frequently visit is the letting of things happen naturally. It's hideous. I know. But true. Honestly.
I need the lights that flash through my windows and the noises of the city are a welcome lullaby. I need to spy on street walkers and bums and police officers and cab drivers. I need the dregs as I need the sugar. I possess the obligation to be a student of the criminal. The urchin. My quest for the absolute profundity of human kind requires a central placement in a culturally thriving dystopia. You might say I inhabit a neighborhood of likely risks and peril. Sure, the danger is here. But I see the beauty in the poorest of light. For a room lit by candle is definitely more strenuous to the eye but surely is more pure and virtuous than the artificial brightness of a high-watted bulb.
Knock! Knock! Knock! A thudding, high in timbre, beat the door thrice. The thinness of the fingers and knuckles could be heard in the rapping. A certain feminine characteristic. We all have our own tone. I turned the Yale bolt and unlatched the two chains and twisted the brass knob as Eleanore squeezed through the crack before I had the door completely opened. Her slender cheeks were rosy and damp and her abrupt black eyes were wide with emotion. A frantic joy, I discerned. Her feral hair swept in all directions and her clipped bangs fell just short of her theatrical eyebrows. Very European. A gasping rush of heat punched through the chink along with Eleanore and fogged up my glasses. The dark and musty smell of the hallway breached the apartment with alacrity and forced the ancient air-conditioner to wheeze to life as it felt the sudden rise in temperature. The very core of summer attacked us from all angles, never letting up. We will always be slaves to the weather down here. She paced to and fro and threw animated gestures with her hands wildly. Complete abandon of self-consciousness . She was speaking but I could not hear a word she said. It was all a humming drone.
"God, Penn. Did you hear a word I said?"
"Hmmm?"
Her bare shoulders were freckled from the sun and her feet bronzed and wrapped in Roman sandals with unpainted nails that were short and functional. She wore a short black skirt that gripped her rangy legs tightly and a heather gray tank-top hung loose over her unfettered breasts. Also, very European. My girl with the swaying breasts. Her milk white teeth were packed taut in her mouth and encircled by puffy lips chapped from the gusty elements of a southern morning spent running on sidewalks.
"Penn!"
"Yes, El. What is it?"
"Amazing. I just gave a strident Faulknerian-like speech and you totally ignored me!?" she pouted, very visually.
"Sorry, babe. Please enlighten me again."
She sat down at the piano and lightly struck the keys while she re-iterated her news. She spoke somewhat in time with what she played, to the unheard beat, so that the words coursed off her tongue like song. A lyrical sweeping that peaked with the more earnest parts of her saga and became less dramatic with the feeble filled fragments of the tragic telling.
Wednesday, May 12, 2010
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